I’m starting to become concerned about the 2021 film year. A few big titles have trickled in, from Judas and the Black Messiah taking advantage of the the extended Oscars window to Disney testing out Premier Access again with Raya and the Last Dragon. Those have been great, but so to date are proving to be the exceptions to the rule. What movie fans feared of 2020 is coming to a more dire fruition now.

From it’s very inception, there has been a contentious battle at the the center of Warner’s modern MonsterVerse. No, it isn’t Godzilla vs Kong, it’s the monsters vs the humans. Godzilla (2014) took heat for investing too much time in the people while it’s titular Kaiju lurked in the background. Kong: Skull Island (2017) and Godzilla: King of the Monsters (2019) overcorrected the other way with an overwhelming amount of monsters and a small group of people specifically tied to them. People weren’t too happy with that either. So, what makes a good monster movie? Maybe it isn’t about how the two much people feature, rather how they’re used.

Remember the Oscars? Believe it or not, more than 13 months have passed since Bong Joon-ho and his masterwork cleaned up at the Academy Awards. To some Parasite winning Best Picture is still the last good thing to happen in a since ravaged world. The film year that took place in those intervening months saw theaters closed and many would be awards contenders pushed back. Despite the migration of prestige films to 2021 and beyond, plenty of great films find themselves in contention this year. With nearly every title accessible at home in some form, the 93rd Oscars may be the toughest to prognosticate yet.

We’re a year into a pandemic that has fundamentally changed every facet of life. Given that the coronavirus has been front of mind for so long, it’s no surprise that a lot of films have begun to emerge with plagues, disasters and COVID itself at their core. What is surprising is just how many pandemic films were made before the real life pandemic.

If there is one thing Marvel Studios is world class at, it’s fumbling the ball. The studio has nearly a century of characters with rich backstories to draw on, a seemingly bottomless pool of Disney money to spend and the whole of Hollywood’s A-list of actors and directors from which to cast. Yet despite the their unparalleled basket of ingredients, the Marvel recipe consistently spits out finished products that fall well short of the sum of their parts.

Among the many beauties of life and love coexists the tragedy of loss that inevitably follows. To get close to someone or something is to know that eventually they’ll be gone. For most that bargain is one worth making but for so many others burned by it in the past, loss can be just too much to bear.

You can’t judge a film on authenticity. Don’t try to judge it on a political level either, especially if you’re a white lady from the LA Times. Over the course of one night Malcolm (John David Washington) gives a laundry list of ways film should not be analyzed. Naturally this begs the question: how should art be analyzed?

If there has been one silver lining of a massive, life altering pandemic forcing us all to stay home, it may be the other pandemic that it placed on hold. Simply by virtue of schools being closed, the coronavirus pandemic has ushered in the longest period without school shootings in the United States in decades. Although our current torment consumes much of our thought, it’s worthwhile to remember the trauma it temporarily alleviated.

They say write what you know, and the only thing any of us have known for the last year plus is a coronavirus lockdown. The next pandemic is on its way: a plague of COVID inspired films. And we wont have to wait long either. Michael Bay was first out of the gate with his critically maligned pandemic thriller Songbird. Doug Liman’s very COVID specific heist film Locked Down is already earning wide pans on HBO Max. Documentaries of the early days of lockdown have been informative and more are sure to come. Like the pandemic itself, this scourge of on the nose movies will be with us for a while.